Sunrise At East Coast/海上日出🌅

zhangyi 提交于 周六, 10/16/2021 - 09:28
论坛

秋海日出


作者:林琦78届美国

秋日的海里
曾经的一片暖洋,
已经冰凉。

而太阳没有放弃,
依然每天到来,
给已经冰凉的海,
带来无限的温暖。

这一刻,
大海拥抱着太阳,
感爱着太阳的体温。
太阳躺在大海的怀抱,
散发着迷人的魅力。

这一刻,
太阳与大海
相拥对视,
没有语言,
却心照不宣,
一如既往地
相互传递着
心的爱恋。

英译作者: 林琦78届美国
Sunrise At the Autumn Sea

 The sea in Autumn, 
 Once a warm ocean,
 Now already cold.

 But the sun did not give up,
 Still comes every day,
 To the already icy sea,
 Bringing infinite warmth.

 This moment,
 The sea embraces the sun,
 Feeling the temperature of the sun.
 The sun lies in the embrace of the sea,
 Exuding a pleasant charm.

 This moment,
 Sun and sea
 Hug each other,
 No language,
 But tacitly
 As usual
 Pass each other
 Warmly loving.

摄影: Yi Zhang 78'USA

美国东海岸日出🌅 @7:24AM, Oct.16, 2021 (I took shot from 7:19AM ~ 7:32AM)

视频文件

East Coast Sunrise at Indian River, Fl. USA @ 7:24AM, Oct. 16, 2021.                                                                                                                                 

Music:

Mozart's Clarinet Concerto in A major, K. 622, was written in October 1791 for the clarinetist Anton Stadler. It consists of three movements, in a fast–slow–fast succession:
  I. Allegro (in A major and in sonata form)
 ll. Adagio (in D major and in ternary form)
lll. Rondo: Allegro (in A major and in rondo form)

Here I used The second movement👇

II. Adagio

The second movement, which is in rounded binary form (i.e. ABA'), is in D major. It opens with the soloist playing the movement's primary theme with orchestral repetition:

'
The B section, in which the solo part is always prominent, exploits both the chalumeau and clarion registers. The only true cadenza of the entire work occurs right at the end of the B section, immediately before the return of the A section. There are some passages that exploit the lowest notes of the basset clarinet in the B section.